The Granddaddy of them all, the 2882 just keeps getting better. A seminal piece of gear, the feature set of the 2882 represents a list of firsts in the industry. The 2882 was the first Mac-only FireWire interface on the market and was the first bus-powerable FireWire interface ever — 9 years and counting! It is also the first (and only) FireWire interface to offer onboard fully instantiable DSP processing with our unique +DSP processing environment. The first 96k FireWire interface, and the first to feature digitally controlled analog stages, the 2882 has inspired an entire genre of gear.
Take a look at some other products on the market and you are sure to find numerous features and approaches originally invented by Metric Halo. As they say, imitation is the sincerest form of flattery, and as we look around the now-crowded FireWire interface market, we’re happy to say that we’re truly flattered!
Now, with the introduction of the 2882 Expanded, with integrated 2d Card, the 2882 jumps ahead of its competition again.
At Home in Any Situation
- 8 Mic/Line/Instrument analog inputs
- 8 analog outputs on balanced TRS connectors
- 24/96k converters on all channels
- 8 channels of ADAT I/O (switchable to TOSLINK)
- Headphone amp with front panel mute/dim
- Full front-panel metering
- Remote level control on all channels
- AES-S/PDIF Digital I/O with selectable SRC
- v.5 Configurable mixer for near-zero latency mixing and routing
- Metric Halo’s unique instantiable +DSP processing
- DC power system for wall, FireWire bus, and battery operation world-wide
- Total recall with MIO Console
- OS X drivers with multi-box support
- Compact, convenient, and the best value in pro-audio today!
2882 Expanded is the perfect tool for capturing audio wherever inspiration hits, in the studio or on the road. Well suited to any recording situation, you can record and edit on the road, in the hotel, on the airplane, or wherever inspiration hits. Use 3 2882s chained together for 24 tracks of live concert recording with processing on all channels in 3 rack spaces. Location sound engineers can now capture the moment — anywhere, anytime.
When you’re done recording, use the 2882 in the studio as an extremely high quality audio interface to transfer your tracks into a DAW. You’ll be amazed at the sound of this little box! And weighing only 5 pounds, and about the size of a laptop, you can be the first one out of the gig, with no hassle, just throw the Mobile I/O into your computer bag, and you’re done!
The 2882’s pristine inputs and outputs, coupled with Metric Halo’s exclusive Character processing, provide flexibility and sound quality unavailable on any other interface. You can transition from a wire-with-gain to a gooey tube pre with one click of the mouse, and every input can have the right character for the material you are recording.
The 2882 Expanded is the only unit in its class with an on-board processing engine that supports fully instantiable processing, allowing you to use Metric Halo’s world-renowned signal processing effects without sacrificing your computer’s processing power or introducing any additional latency in your monitor path. From MIOStrip to HaloVerb, the 2882 Expanded comes with all the basic production processing you need. And remember, this one rack space audio interface has the ability to run entirely from the FireWire bus of a laptop computer or from any DC power source (9V-30V), making it truly and completely mobile.
A unique feature of the Mobile I/O system is that MIO’s work well individually or as a group. Mix and match 2882 and ULN-2 units to create a system that meets your needs for track count and preamp power. Adding a unit to the system organically increases the DSP power of the system, so that your DSP always scales with your I/O. Break your system up for small gigs when playing out or add the units of your mates to build a huge system when required. By standardizing on Mobile I/O, each member of the band can have ultimate quality while working alone, and the band can have huge track counts when playing together. You can’t lose!
Flexible signal routing and sophisticated patch and preset management systems are also featured in the 2882 Expanded, including two separately addressable boot states for standalone operation. 2882’s front-panel recall system allows the unit to function equally as well as a stand-alone Mic Pre/Converter system. In standalone mode, the 2882 operates with the converters directly routed to and from the AES/SPDIF I/O, ADAT or TOSLINK.
As a standalone converter, the 2882 provides a 24bit/96kHz stereo front-end with 8 great sounding utility mic pres for any recording system. It also functions seamlessly as a digital monitor controller, making it ideal as digital headphone amp and studio monitor controller.
The 2882 Expanded supports a variety of applications. For studio recording, it provides a very high quality interface to a DAW, offering sound processing or simple file transfer between workstations. Its exceptional sound quality is the perfect complement to the studio’s existing analog to digital conversion chain. Songwriters and engineers can use the 2882 Expanded to record and edit on the road, in the hotel, while traveling, or anywhere that inspiration strikes.
The 2882 Expanded is suitable for broadcast applications, too. It offers instant playback of two individual stereo sends for music cues or sound effects. The compact package and portable power features mean that the unit can go anywhere users need to work, and make on-site fixes or edit location recordings without the need to send files back to the studio, saving valuable time before air.
In the live performance arena, in addition to operating as a remote recorder for archiving performances or to play out backing tracks and musical cues, the 2882 Expanded can operate as a soft-synth mixer and I/O interface. The 2882 Expanded is also a great addition to a live sound engineer’s setup, providing a simple and efficient tool for analysis and system venue tuning with SpectraFoo.
+DSP option details
While all Expanded units include the 2d processing bundle, you can add a +DSP license to your box at any time. Adding a +DSP license will allow you to take full advantage of the processing power of the DSP in your interface. The ease of inserting Plug-ins directly into mixer channels with the v.5 Console makes using +DSP a snap. If your 2d Expanded unit doesn't already include +DSP, you can add a license without any physical changes to your hardware.
The +DSP license includes a variety of additional Plug-ins including Multi-band EQs, Compressor, Limiter, Distortion Processors, and many more. With the +DSP license, you also gain access to insertable graphs which allow you to build your own “Secret Weapon” processors — wrapped up, phase compensated graphs of Plug-ins that may be re-inserted on demand.
“…Being able to use my own custom-built DSP environments, as an insert or send, anywhere in my signal chain, is beyond ridiculous." ~ John McCaig Mastering EngineerpanicStudios
“…In the studio, the new architecture connects my +DSP patches to any and all applications and hardware in new ways…” ~ Dave Davis Media Designer & Mastering EngineerSound Images
Finally, the +DSP license adds many bonus Plug-in Macros — insertable, pre-configured processors, including Guitar Amp Models, Guitar Processors, Parallel Compressors and Limiters, Mid/Side Mastering processors, Vintage-style reverbs and many more…
“There are numerous new features that I'm excited about… Did I mention HaloVerb? Or the amp simulations? I have now switched almost entirely to summing my DP 5 projects in the MIO’s DSP mixer (it just sounds so damn good, combined with the great MIO EQ and dynamics Plug-ins)…” ~ Brian Monroney Guitarist/Musical Director for Tom Jones