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Antelope Audio Goliath HD Gen 3 Audio Interface

Antelope Audio Goliath HD Gen 3 Audio Interface - Front

Antelope Audio Goliath HD Gen 3 audio interface featuring 64-channel Thunderbolt/USB/HDX featuring mastering grade outputs, great dynamic range and connectivity.

Antelope Audio Goliath HD Gen 3 Audio Innterface

Goliath HD | Gen. 3 is the most advanced audio interface on the market, designed to handle even the most demanding studio & live productions. Its brand-new, state-of-the-art AD/DA converters achieve a stunning 136dB dynamic range on its mastering-grade monitor outputs while its all-purpose connectivity allows near-limitless flexibility.

Maximum Connectivity

The Goliath HD | Gen. 3 is Thunderbolt 2, USB 3.0, and HDX-compatible (HDX requires activation). It offers 16 Accusonic mic preamps, 8 instrument inputs, an additional 32 analog inputs (over DB25) with 124dB dynamic range, 32 analog outputs with 129dB dynamic range, 2 transformer ReAmp outs, 2 headphone outputs, and 2 analog inserts (a total of 38 analog outputs). Digital & networking connectivity is established by industry-standard AES, MADI, ADAT, and S/PDIF connections for a whopping sum of 346 digital input channels!

36+ Low-Latency FX

As no project can be complete without audio effects, Goliath HD | Gen. 3 includes 36 real-time FPGA FX pulled from the acclaimed Antelope Audio AFX library. These include a plethora of vintage equalizers and compressors, guitar amplifiers and cabinets, mic modeling, studio utilities and much more. The library can be expanded with additional effects from Antelope’s vast collection.

HD/HDX Compatible

Activating the Goliath HD | Gen. 3’s dual HDX ports lets you handle up to 64-channels of audio in Pro Tools. Antelope Audio’s proprietary HDX Latency Compensation technology enables both automatic and manual per-channel latency adjustments, while the unit’s highly advanced clocking provides Loop Sync functionality. As a bonus, activating the HDX connectivity takes 50% off the first FPGA effect you purchase!

Features

  • 36 integrated real-time studio effects
  • Low-latency monitoring environment
  • Cross-platform USB & Thunderbolt connectivity (for Windows & Mac)
  • Pro Tools HD-ready audio interface with two HDX ports (optional expansion)
  • 136dB dynamic range D/A monitor out conversion pushes digital audio to its near-limits
  • 64-bit Acoustically Focused Clocking jitter management algorithm
  • Proprietary HDX Delay Compensation technology
  • Proprietary HDX Delay Compensation technology
  • 2 independently assignable headphone outputs
  • AES, MADI, ADAT, and S/PDIF digital connectivity
  • Integrated Talkback microphone
  • Multi-functional touch-screen display for signal monitoring and function control
  • Made in Europe

Technical Specifications

DIGITAL I/O

  • 1x S/PDIF In on RCA (2 CHs)
  • 1x S/PDIF Out on RCA (2 CHs)
  • 4x AES/EBU In on DB25 (8 CHs)
  • 4x AES/EBU Out on DB25 (8 CHs)
  • 1x Atomic In on BNC
  • 1x WC In on BNC
  • 2x WC Out on double BNC
  • 2x ADAT In on Fiber optic
  • 2x ADAT Out on Fiber optic
  • 2x Optical MADI In and Out on Fiber optic (64 channels on each MADI Port)
  • 1x USB 3.0
  • 1x Thunderbolt Gen2
  • 2x HDX Port (32 CHs I/O on each port)

ANALOG CONNECTIONS

  • 16x Universal Inputs (Mic In/Line In) on XLR
  • 16x Line In on 2x DB25
  • 32x Line Out on 4x DB25
  • 2x AD Inserts on double TRS
  • 2x AD Inserts on double TRS
  • 1x Monitor Line Out on 1/4 TRS stereo jacks
  • 2x HP Out on 1/4 stereo jack
  • 4x Instrument In on 1/4 stereo jack (dedicated for instrument / HiZ only)
  • 4x Instrument In on 1/4 stereo jack (dedicated for instrument / HiZ only)

FRONT PANEL FEATURES

  • 1x 3.5 inches high resolution TFT display (262 000 colors) with capacitive touch screen panel
  • 1x Big knob for all monitor outs or HP volume control (selectable)
  • 1x LED Ring for visualizing the volume control or mute status on selected output
  • 16x Knob for gain control of each Mic In (encoders with internal switch for muting)
  • 16x RGB LEDs at the top of each Mic In knob (indication of input level)
  • 4x Knob for gain control of each of Front panel's instrument / HiZ inputs (with muting function)
  • 4x RGB LEDs at the top of each Instrument In knob (indication of input level)
  • 1x TALKBACK microphone
  • 1x MUTE button
  • 1x MUTE button
  • 1x DIM button

CLOCKING SYSTEM

  • 4th Generation Acoustically Focused Clocking 64-bit DDS

SAMPLE RATES

  • 32, 44.1, 48, 88.2, 96, 176.4, 192
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